
ƒVƒAƒ^[ƒ´ ‘Û•‘‘äŒ|pÕ2018
w¡‚ÍÌA‚©‚®‚â‚̃~ƒbƒVƒ‡ƒ“x
2018”N10ŒŽ17“ú(…)`21“ú(“ú)
w’|Žæ•¨Œêx‚æ‚è
ƒXƒg[ƒŠ[ƒeƒŠƒ“ƒOEƒVƒAƒ^[
ŒŽ‚Ì‚¨•P—l‚Ì̘bB‚»‚Ì”ü‚µ‚³‚ÍA‚ЂƂÌS‚ð‰ó‚µA¡“ú“I–â‘è‚ðŠJ‘ñ‚µ‚Ü‚·\\”ü‚ɂ‚¢‚ÄAŒ ˆÐA^ŽÀAƒtƒFƒCƒNƒjƒ…[ƒX‚»‚µ‚Ä‘Š‘Î«‚ɂ‚¢‚ÄB
An ancient story about a moon princess whose beauty breaks hearts, opens up contemporary questions about beauty, authority, truth, fake news and relativity.
w’|Žæ•¨Œêx‚ðŠî‚É ŽlŽŸŒ³‰F’ˆ‚Ì"ŽŠE"‚Ö@ƒ‚ƒ’§‚ñ‚¾mission-runner ‚©‚®‚â‚ÆƒAƒCƒ“ƒVƒ…ƒ^ƒCƒ“‚Ì OK! OK! Bye Bye@ƒXƒg[ƒŠ[B
Based on Classic Japanese gThe Tale of the Bamboo Cutterh, directly challenging to gpoesy worldh of four-dimension cosmos, the OK! OK! Bye Bye Story by mission-runner gKaguya avec Einsteinh.
ŒŽ‚Ì‘¶Ý‚ÍA‚±‚Ì•¨Œê‚̉B‚ꂽŽålŒö‚Å‚·B‘¾—z‚ÌŒõ‚𔽎˂·‚邱‚Ì“V‘Ì‚ÍAƒAƒCƒ“ƒVƒ…ƒ^ƒCƒ“‚ÌŽŸ‚ÌŽ¿–â‚ðS‚É•‚‚©‚΂¹‚Ü‚·\\
uŒŽ‚ÍA’N‚àŒ©‚Ä‚¢‚È‚¢‚Æ‚«‚É‚àA‘¶Ý‚·‚é‚Ì‚©Hv
‚»‚µ‚ÄŽ„‚½‚¿‚ð‚±‚Ì‹¾–ʂ̂悤‚ȃvƒƒWƒFƒNƒg‚Ö‚Ì’T‹‚Ö‚Æ‘£‚µ‚Ü‚·\\ŠÏŽ@ŽÒ‚ÌŠá·(‚܂Ȃ´)‚µ‚ªŠÏŽ@‘ÎÛ‚É‚¢‚©‚È‚éÕŒ‚‚ð—^‚¦‚é‚©AŠÏŽ@Ž‹“_‚̕ω»‚ªŽÀŒ±ˆÓ}‚ɂǂ̂悤‚É”½‹¿‚·‚é‚©‚ð’T‚Á‚Ä‚¢‚‚̂ł·B
w¡‚ÍÌxƒvƒƒWƒFƒNƒg‚Í—lX‚ÈŽžŠÔ‘ÌŒ±‚ÉA‚¢‚©‚É—¬“®“I‚ɃAƒvƒ[ƒ`‚Å‚«‚é‚©‚ð’T‹‚µ‚Ü‚·\\Ž‘±“I‚ÈŽžŠÔA‰Á‘¬‚·‚鎞ŠÔA“€Œ‹‚µ‚½ŽžŠÔ‚Æ‚¢‚Á‚½ƒpƒ‰ƒŒƒ‹‚ÈŽžŠÔ‚Ì—¬‚ê‚Éæ‚Á‚ÄA˜p‹È‚µ‚½Žž‹óŠÔ‚Ì’†‚ðs‚«Œð‚¢‚È‚ª‚çA‚͂邩̂ɋN‚±‚Á‚½•¨Œê‚ÆŒ»‘ã“I‘¶Ý‚Ƃ̊Ԃð„ˆÚ‚·‚é‚̂ł·B
The arrival of an alien, celestial entity into the midst of mundane life on the earth, forces us to ask questions about the basic values of our society: the human need to possess, to own, to conquer beauty, the relationship between beauty/art and power structures, about truth and deceit in expressing emotions and in reporting events.
The presence of the moon, the hidden hero of the story, an astronomical body that reflects the light of the sun, brings to mind Einstein's question:
Is the moon still there when nobody is looking at it?
And encourages us to explore in this project systems of mirroring: the impact of the gaze on the observed object, the reflection of the plot from alternating points of view.
The project IMA WA MUKASHI, explores a fluid approach to the experience of time: shifting between a story about something that happened long ago and a contemporary stage presence, with parallel time lines of sustained time, accelerated time, frozen time, curvature of space-time.
We will tell the story in a Storytelling-Theatre technique, which by its very nature deals with relativity, with dynamic modes of representations of reality.
The encounter between the human time and the infinite time of the universe opens up broad dimensions in this intriguing ancient story.
‰‰oƒ‹ƒeƒBEƒJƒlƒ‹ • –ðŽÒƒOƒ‹[ƒv
Created by Ruth kanner & Actors group
ƒ‹ƒeƒBEƒJƒlƒ‹(Ruth Kanner)
‰‰o‰ÆBƒeƒ‹ƒAƒrƒu‘åŠwŒ|pŠw•”‹³ŽöB
2002”N9ŒŽƒVƒAƒ^[‚w‚̵ãÙŒö‰‰w–ì‚Ë‚¸‚݃GƒCƒ‚ƒXx‚ʼn—ˆ“úB 2005”N‚ɂ̓VƒAƒ^[‚wƒvƒƒfƒ…[ƒX‚ŃuƒŒƒqƒgì w•êƒAƒ“ƒi¥ƒtƒBƒAƒŠƒ“ƒO‚Æ‚»‚ÌŽq‹Ÿ‚½‚¿x@(‹g“c“úoŽqŽå‰‰)‚ð‰‰oB 2007”Nĉ‰i‘å‰Y‚Ý‚¸‚«Žå‰‰jB“¯”NAƒMƒŠƒVƒAŒ€wƒGƒEƒƒjƒfƒXxA2010”N‘½˜a“c—tŽq•`‚«‰º‚낵 w‚³‚‚ç ‚Ì ‚»‚Ì ‚É‚Á‚Û‚ñx2012”Nw‚³‚‚ç‚Ì ‚»‚Ì 2011xA2015”Nƒ”ƒBƒgƒJƒbƒcƒCw•êx‚ð‰‰oB
ƒLƒƒƒXƒg
(¶‚æ‚è) ‰F²”ü‰ëŽi@”’Ö¢—ˆ@•싱—C@‚‹´˜a‹v@¬’J^ˆê
(from left) Masashi USAMI Miki ITAZU Kyohske KUROKAWA Kazuhisa TAKAHASHI Shinichi KOTANI
i2017”Nƒ[ƒNƒVƒ‡ƒbƒvEƒI[ƒfƒBƒVƒ‡ƒ“‚ɂđIoj
ƒXƒ^ƒbƒt
”üp | F | ]˜AˆŸ‰Ô—¢ |
---|
Œö‰‰“ú’ö
2018”N10ŒŽ17“ú(…)`21“ú(“ú)
@ | 17(…) | 18(–Ø) | 19(‹à) | 20(“y) | 21(“ú) |
---|---|---|---|---|---|
14:00 | @ | @ | @ | › | › |
19:00 | › | › | @ | @ | @ |
20:00 | @ | @ | › | @ | @ |
¦ŠJê‚ÍŠJ‰‰‚Ì30•ª‘OB
ƒ`ƒPƒbƒg
1,000‰~
(‘SÈŽ©—R)
[ƒ`ƒPƒbƒg\ž]
ƒVƒAƒ^[ƒ´